Monday, March 30, 2009

Official Crew Billing

Writer, Director, Producer: Jill Sapenoff
Executive Producer: Mike Wright
Director of Photography: Owen Levelle
Assistant Director: Nick Mann
Director of Audiography: Joe Petersen
Art Director, Script Supervisor: Mallory Westfall
1st Asst. Camera: Elizabeth Mo
2nd Asst. Camera: Parke Stevenson
Best Boy: Kenneth Gordon
Boom Operator: Marissa O'Guinn
Production Assistant: Lauren Bauman

Pictures from Mo









That's a Wrap

I swear that I will write more tomorrow.
Just got out of the shower...it's 3am.

Today:
9:00am: arrive Merwin Meadows location
12:30pm: lunch, extras arrive, supporting talent arrives
3:45pm: ice cream and dismiss extras
6:45pm: wrap Merwin Meadows location
7:00pm: arrive Village Market location
10:20pm: wrap Village Market location
11:00pm: leave Wilton, CT
12:10am: equipment drop off at 14th Street and 3rd Ave, NYC
1:10am: personal item drop off at 200 Water Street, NYC
2:15am: cargo van drop off
2:20am: argue with cab driver
2:35am: arrive "home" to 200 Water Street, NYC

Nick, my great A.D. arrived with the crew from NYC (call time at 14th and Broadway at 7:00am. Nick in the same building as me) and accompanied me from 11:00pm on to assist with returns and driving directions. He's probably had the longest day of anyone.


Saturday, March 28, 2009

The Weekend

Movie Time

12:00 am (now)
5:00 am: wake up
6:00 am: pick up vehicles
6:20 am: load vehicles
7:00 am: pick up crew
7:15 am: pick up talent
7:20 am: drive to location
8:40 am: arrive at location
10:00 am: first shot up

weather: partly cloudy

Sunday, March 22, 2009

Extras

For those of you who came to the Starbucks meeting, it was great to meet all of you. There were about three separate sessions of meetings that went on. Emma Lisa took copious notes on the meeting and has greatly reduced the amount of work I need to do as far as writing and repeating. I took her notes and added a few things here and there. Here are the main points that she took down that I suggest everyone go over. Of course, most of this will be repeated on set on Sunday. I ask that everyone check their e-mail leading up to the shoot to hear for any possible changes. 12:30-3:30 seems to be a locked time, but should the time be reduced or pushed a little later, we would want all of you to know.

If everyone could also e-mail me back with a subject e-mail that says, “EXTRAS Merwin # (in your party)” in the e-mail put your names and contact information.

Remember, if you have any questions, please feel free to let me know as well.

The movie is to be shot at Merwin Meadows on Sunday the 29th of March - next week. The time for the "EXTRAS" to be shot (that's us)...is 12:30-3:30.

Some important things.

1. This cannot be a 'drop in' scenario - as live shooting will be going on. Merwin Meadows will be shut down for this filming with only those in the movie allowed into the park. Everyone in the movie will need to go through a processing desk so they know everyone on set. There is a release form that has to be signed.

2. There will be REAL actors there - we/the kids are playing in the background, within the playground and grounds as the filming of the main characters is going on. These professional actors and the crew will be WORKING.

3. Please bring your kids well fed so they will not get distracted by being hungry and I would suggest bringing water/juice and a few snacks.

4. There will be a porta jon - so ok with bathroom needs

5. They should dress in play clothes - jeans, pants, skirts - but nothing made of material that makes noise i.e. those nylon sports pants that swish when the kids walk.

6. We are encouraged to bring along picnic baskets, coolers or blankets - so it seems more natural as a day in the park.

7. Production Assistants (high school and college students) will also be there to help the kids with whatever they might need

Some rules to discuss with the kids before hand:

* The kids will be playing naturally as they would whenever in the park - but will be doing so silently/speaking softly... while the cameras are rolling. Otherwise all screaming will drown out the main actors voices. So you can tell them that when Jill yells ACTION, it will mean silent playing. Jill will go over these instructions again on set.

* The kids need to follow directions - pretty simple - ACTION and CUT...After CUT, is when if they need something i.e. to go to the bathroom - they should let someone know they need to do that. ACTON is when the movie is being filmed and they need NOT to cut out to get a drink or go to the restroom - there will be lots of breaks for them to do so.

* It is critical that the kids do not look at the camera while filming is going on - as that is not real life. Jill explained to me of the cost of the filming. This is NOT digital equipment - so it is all film. If problems arise - they need to start over and re-shoot, all money out of the films budget. So this should be spoken about with the kids AT LENGTH before hand. (Jill jested that every kids will owe $10 every time they look at the camera during filming).

* Kids should not be chewing gum

Remember - you can go on this blog and look it over for more information about the movie.

http://www.theparkfilm.blogspot.com.

Lastly, just so that you're aware, there will be a donation jar there. The insurance of renting the equipment alone is a killer - and while you are under NO obligation what so ever - if you would like to make a small donation, it would help defray the cost of making the movie. Budget is close to  $4200, and while that seems like a small amount, to a third year film student - it's a serious sum of money. Even a $5 donation pays for a set of batteries in the sound department...and is greatly appreciated.

Friday, March 13, 2009

The Park: Merwin Meadows

Photos from our (snowy) location scout.





Cast, Crew, and Script are...LOCKED

We have a few changes along the way, but here is what we've got. 
The script is locked and ready to shoot.

The cast is...well, cast.
Cast:
Nick: Kevin Kraft
Annabelle: Selena Pereyra
Andrew: Adam Michael Swartz
Jessica: Sarah Koestner

And we've had some changes in the crew.
Crew:
Director/Co-Producer: Jill Sapenoff
Producer: Mike Wright
Director of Photography: Owen Levelle
Assistant Director: Nick Mann
Assistant Camera: TBA
2nd Assistant Camera/Set Photographer: Elizabeth Mo
Sound Recordist: Joe Petersen
Boom Operator: Marissa O'Guinn
Art Director/Script Supervisor: Mallory Westfall
Grips/Gaffers: TBA
Production Assistants: Lauren Bauman, Jimmy Kelley


Tuesday, March 10, 2009

Insurance Problems

Dear Students,

We are facing a dire situation. We are at risk of losing the Student Insurance Program that covers all of our production classes. The total losses that students have accrued (over $140,000 this academic year) and several others over the last six years have threatened the entire insurance program.

We are left with only 2 options:

1. Modify the current policy.
2. Risk the complete and total termination of our Insurance Program.

Effective immediately, the insurance rules have changed for ALL Undergraduate student productions. Unfortunately, NYU can no longer issue certificates for outside vendors. As of Monday, March 9, 2009, NYU Insurance is only available for insuring Film & TV equipment and shoot locations. NYU Insurance will no longer cover any equipment rental. Students planning to rent equipment must secure their own insurance through a third party insurance carrier. A listing of preferred insurance brokers is available in the Production Office on the 9th
Floor as well as some procedural information about contacting the brokers.

In addition, all students at the Intermediate and Advanced Levels with approved projects MUST purchase the CSI (College Student Insurance) Student Personal Property Insurance facilitated by Fireman's Fund. Students are required to purchase both the basic coverage, and the Camera Equipment Endorsement with coverage up to $25,000 in order to satisfy the deductible for NYU equipment.

Information is available at http://collegestudentinsurance.com/ - click on 'Get An Online Quote Now' in the center of the page. The smallest basic personal property coverage available through CSI is $50 - which includes up to $2000 personal property coverage with a $100 deductible. Additionally, the student must pay $60 for the $25,000 3rd party camera equipment coverage, which brings the minimum cost for this insurance to $110 annually.

Thank you for your support in this difficult situation. If you have any questions, please contact your production faculty.

View message header detail ")'>Sheril Antonio- Assoc Dean & Lamar Sanders- Chair of Undergraduate Film & TV






So the big question is: What does this mean for our production?
It can mean a few things. It means that the cost of production may go up by another hundred dollars or so so that we can find insurance to cover the costs of outside equipment. This includes lenses and possibly a generator. Fortunately, they are still covering the cost of our locations, which means that the production dates will remain the same and our locations are still valid.

Friday, March 6, 2009

Chet Burchett

I want to take some time away from this blog and about film. Considering what I will be doing is so community based and how so much of me comes from Wilton, I need to say something about the recent passing of Chet Burchett.
Though I didn't know Chet as a very close friend, I feel confident enough to say that we were friends. We weren't close, but we certainly were more than aquaintances. Chet's shocking and sudden death can be described as nothing short of tragic. In the nearly seven years that I knew Chet I can confidently say that he was a trustworthy and compassionate guy. Despite what seemed like a tough exterior and even some stubborness, the core of Chet was something special. Chet's antics may have gotten him into trouble every so often, but there was never a doubt in my mind that he was the all around good guy.
Perhaps I wish that I had known Chet better, but despite the sparcity of moments I had with him they all meant something to me. Little memories of exchanges with Chet flicker through my mind now and I'm angry with myself for not remembering them with more clarity.
The only that is really clear to me now is that whatever Chet had suffered with is gone. We're here to feel sad and shocked, but there's no doubt that Chet had changed us, affected us in some way or another. Slowly but surely things will fall back into place, but I know that in some part of me and in some part of everyone he knew, there will be Chet and he'll live forever through all of us.
Chester Wayne Burchett 1989-2009

Sunday, March 1, 2009

Casting Boot Camp

We'll be going through the bulk of our auditions this week. So far we've auditioned on girl for Annabelle and we'll have 10+ Nicks coming in this week. I've just managed to pump out a newer and simpler draft of the script, which I think in the long run may help when it comes down to shooting. Many thanks to the following people for their feedback:
Mallory, Nick, Robby, Yemane, Sam, Mike, and anyone else I may be forgetting.
What people seem to forget is that a script with many revision or a lot of feedback isn't necessarily a troubled script, just a weighty one. For me, it's a matter of refining and focusing those areas. Perhaps I'm trying to say too much in a short piece when I can keep the situation simpler. It may become even simpler before shooting begins. The deeper essences may be missing, but many times less is more. Perhaps I may even look at this particular shoot as a starting point for a longer script. But for an 8-minute film, this is what I've got.
I'm really excited to be moving ahead forward with this project. I'm utterly exhausted after doing three shoots this weekend, but I guess that's all part of the learning experience.
Remember, we are still looking for donations and contributions. Anything and everything helps!